Blog > Stories
Monroe as a Caesar, a Saint, a Copy, and Never a Person
Blog > Stories
Monroe as a Caesar, a Saint, a Copy, and Never a Person
Sources
Most importantly, thanks to the public library systems of Brooklyn and New York City, whose access to JSTOR powers these videos. And The Metropolitan Museum of Art for the amazing public access images and information.
Assets in Rally’s Collection
1967 Andy Warhol Marilyn Monroe print (signed)
1969 Andy Warhol Campbell’s Soup print (signed)
1977 Andy Warhol Pelé Polaroid
Justinian, 1st depiction of Christ on a coin (695 AD)
Citations
Dyer, Jennifer. “The Metaphysics of the Mundane: Understanding Andy Warhol’s Serial Imagery.” Artibus et Historiae 25, no. 49 (2004): 33–47.
Brown, Alan S., Lori A. Brown, and Sandy L. Zoccoli. “Repetition-Based Credibility Enhancement of Unfamiliar Faces.” The American Journal of Psychology 115, no. 2 (2002): 199–209.
Gazda, Elaine K. “Roman Sculpture and the Ethos of Emulation: Reconsidering Repetition.” Harvard Studies in Classical Philology 97 (1995): 121–56.
Tanner, Jeremy. “Portraits, Power, and Patronage in the Late Roman Republic.” The Journal of Roman Studies 90 (2000): 18–50.
“Sold for $195 Million, Andy Warhol’s ‘Shot Sage Blue Marilyn’ Sets New Auction Record.” 2022. Los Angeles Times. May 10, 2022. https://www.latimes.com/entertainment-arts/story/2022-05-09/andy-warhols-shot-sage-blue-marilyn-sets-new-auction-record.
Brooks, Sarah. 2019. “Icons and Iconoclasm in Byzantium.” Metmuseum.org. 2019. https://www.metmuseum.org/toah/hd/icon/hd_icon.htm.
Staff, Variety. “Niagara.” Variety. Variety, January 1, 1953. https://variety.com/1952/film/reviews/niagara-1200417447/.